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a late Fatimid version (twelfth century) v. the frame story of “The Thousand Stories” with new Arabic stories added to it iv. a Persian core “The Thousand Stories” ( Hazâr Afsânah) ii. Macdonald's “The Earlier History of the Arabian Nights” divides the development of the tales into five stages: i.
#ONE THOUSAND AND ONE NIGHTS QUOTES PROFESSIONAL#
Critics comment on how this view is supported by internal evidence-the style, mainly unstudied and unaffected, contains colloquialisms and even grammatical errors such as no professional Arabic writer would allow. The tales’ variety and geographical range of origin-India, Iran, Iraq, Egypt, Turkey, and possibly Greece-make single authorship unlikely. In an article about the collection, Professor Daniel Beaumont writes: "Indeed, in recounting its history in the medieval period, there is no need to summarize a fairly complete account will read like a summary, since most of its medieval history is unknown and is likely to remain unknown." His words illustrate a widely understood fact about the Arabian Nights: while some aspects of the history of the tales can be traced, a lot of it is undocumented and open to debate and speculation. Though the names of its chief characters are Iranian, the frame story is probably Indian, and the largest proportion of names in the internal stories are Arabic. Lyons Review and English Version Overview by Jack.Stanley Lane-Poole & the Truths of the Nights.
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#ONE THOUSAND AND ONE NIGHTS QUOTES FULL#
The resources of his mind on this occasion were truly astonishing: his conversation was full of imagination and very often, in imitation of the Persian and Arabic writers, he invented tales of wonderful fancy and passion. How different from the manly and heroical poetry of Greece and Rome! When you read their writings, life appears to consist in a warm sun and a garden of roses, - in the smiles and frowns of a fair enemy, and the fire that consumes your own heart. Their melancholy is soothing, and their joy elevating, to a degree I never experienced in studying the authors of any other country. I read merely to understand their meaning, and they well repaid my labours. I did not, like him, attempt a critical knowledge of their dialects, for I did not contemplate making any other use of them than temporary amusement.
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Idleness had ever been irksome to me, and now that I wished to fly from reflection, and hated my former studies, I felt great relief in being the fellow-pupil with my friend, and found not only instruction but consolation in the works of the orientalists. The Persian, Arabic, and Sanscrit languages engaged his attention, and I was easily induced to enter on the same studies. Resolved to pursue no inglorious career, he turned his eyes toward the East, as affording scope for his spirit of enterprise. I was like the Arabian who had been buried with the dead, and found a passage to life, aided only by one glimmering, and seemingly ineffectual, light.įrom the Fourth Voyage of Sinbad the Sailor, in The Thousand and One NightsĪnd there are many later references to orientalism and these mysterious Arabians throughout the book, here is VF's childhood friend Henry: Not that, like a magic scene, it all opened upon me at once: the information I had obtained was of a nature rather to direct my endeavours so soon as I should point them towards the object of my search, than to exhibit that object already accomplished. What had been the study and desire of the wisest men since the creation of the world was now within my grasp. (wonder which story/stories Frankenstein resembles? any ideas?) Every book I read mentions the Nights for some reason, even/especially if it doesn't seem like it should.